‘Paranormal Farm’ Trilogy – campy but enjoyable!

‘Paranormal Farm’ is a found footage horror film released back in 2017, and is the brainchild of independent filmmaker Carl Medland. I recall watching this on Amazon Prime Video a few years ago, and finding the show quite entertaining, especially as Medland was using little more than the camera on his mobile phone to bring this story to life.

Having recently learned that there was a trilogy of ‘Paranormal Farm’ movies, I took it upon myself to watch all three films over consecutive nights – and to say I was amazed and enthralled would be an understatement!

Before I continue any further with my glowing appraisal, I should point out that there are a few contentious plot issues – some wide enough to drive a truck through – and I am of the view that these were created deliberately. In fact, I am certain that Carl Medland is taking the mickey out of us – especially throughout both sequels – and the outrageous scenes featuring some truly bizarre behaviour from off-beat secondary characters would ultimately help his films gain cult status.

Therefore, this is not going to be one of my usual reviews and I will not deep-dive too much into the pros and cons of each episode. The simple fact that Medland has gone out and created something unique and original – putting a lot of time, money and effort into it – should be respected and admired.

While I am throwing compliments about, a special mention must go out to the actors who played Lucy and Darren – the farming couple whose property is the setting for the paranormal investigation – as they both have a natural screen presence, with weird mannerisms that keep the audience guessing as to their true intentions. This is countered by the performance of Medland, who spends most of the film recording himself on his phone while attempting to solve the spooky mystery, and doing so in a ‘big city’ manner that often rubs the country folks the wrong way. This is a strong dynamic.

There are a few well-crafted moments where nefarious villains creep up on Medland while he is recording – especially throughout the first film – and these movies are at their strongest during these scenes. However, when the main character’s reaction is to simply squeal and jog away, often turning around and moving back in the direction of where the threat was coming from, it does take away from what was a brilliantly-executed and genuinely frightening encounter.

Is this done on purpose? I think so – and this brings me back to using the term ‘campy’ in the heading, for at times I thought I was watching George Michael running about being chased by monsters and goons. What an absolute masterclass!

As far as the story is concerned, the mystery is solved at the end of the third film where an overly drawn out – and diabolical – scene plays out between the major characters. In many ways, it was a fitting end to the series and I was sitting on my sofa in total bewilderment whilst all was being revealed.

Despite its flaws and shortcomings, I cannot really fault the ‘Paranormal Farm’ series as it delivered an entertaining and eye-opening experience across all three films. The rural location featured was an inspired choice, with the clever use of disturbing mannequins and quirky storage sheds filled with junk adding to the eerie vibes and complementing Medland’s sharp direction.

I must say, for a guy who put an entire project together using only his mobile phone and editing software, Carl Medland has proven himself to be a talented filmmaker. Although Medland brought his colleague Mumtaz into the second and third films, along with a larger camera, I would say the original ‘Paranormal Farm’ is by far the superior product.

The ‘Paranormal Farm’ trilogy is available to watch on YouTube, but note that age restrictions apply in some countries. In any case, I have attached the link below.

Screenshots and posters are courtesy of Myspotlight Independent and MY Production Ltd.

Special thanks and appreciation to Carl Medland.

‘Kingdom of the Spiders’ is a cool movie!

Headlined by the legendary William Shatner, this 1977 horror flick is surprisingly good: – with a decent story line and impressive use of thousands of live tarantulas. In fact, around one-tenth of the entire film’s budget was spent on handling so many spiders, which is an incredible statistic.

My understanding is that tarantulas are fairly docile creatures – especially around humans – so it was quite an achievement for the film-makers to have the spiders appear to chase or attack people in this movie. The use of off-screen fans were utilised to great effect to have the arachnids move in the direction and manner desired, and it certainly paid dividends with some wonderful yet frightening sequences being brought to the big screen.

The story is set in the town of Camp Verde, Arizona where livestock are suddenly dropping dead, and tests later reveal that this is due to lethal amounts of spider venom. The local vet ‘Rack’ Hansen (played by William Shatner) along with an arachnologist soon discover a massive spider hill on a local farm, and the decision is made to set it on fire. Big mistake!

But before we explore the consequences of upsetting thousands of spiders, I should point out that it wouldn’t be a William Shatner movie without a little romance – and the great man is in fine form here!

Anyway, the locals would pay a heavy price for attempting to destroy the spiders’ nest, as a swarm of angry tarantulas descend upon the town; even ambushing some of the folks by crawling into trucks and planes as part of their ultimate revenge!

But the most unnerving moments were saved for the film’s final act, and you have to appreciate how difficult it would have been to pull off some of these scenes. Remember: No CGI involved – only real tarantulas with the odd rubber spider thrown in.

Now as creepy as some of these screenshots are, the following sequence is perhaps the most disturbing in the entire movie. Credit goes to the very young actress here!

‘Kingdom of the Spiders’ is a solid film that builds suspense nicely throughout and goes out of its way to explain the aggressive – and rather unscientific – behaviour of the tarantulas, before delivering a truly exceptional ending that I will not spoil here.

The charismatic but serviceable performance of William Shatner helps the movie along, with second-billing going to the ridiculous number of hairy arachnids that share the screen with him. In summary, this is a movie worth watching, and despite being a low-budget production, I would still rate it seven out of ten!

Screenshots courtesy of Dimension Pictures and MeTV.

‘Empire of the Dark’ is pure B-Grade genius!

An out-of-shape middle-aged leading man takes on sword-wielding Satanic priests, demons, gun-toting villains and more in this 1991 horror/action thriller!

Written, directed by and starring Steve Barkett (who sadly passed away in 2023), this feature has all the hallmarks of a vanity project – re Neil Breen or John De Hart – but turns out to be a pretty solid flick. One simply needs to see beyond the flaws of this ambitious low-budget film to be able to enjoy the spectacle that it truly is.

Barkett stars as Richard Flynn, who while working as a cop, enters through a portal into Hell to rescue his ex-girlfriend’s baby son before he is sacrificed by devil worshippers. The film then skips twenty years to when Flynn is now a private eye, and is forced to battle the evil acolytes of Satan once again!

Barkett clearly considers himself to be an action man, and his screenplay and direction suggests as much, as he is constantly killing bad guys and romancing women way out of his league. However, he delivers a lot of tongue-in-cheek comments and one-liners, hinting that he is aware of his physical shortcomings, and decides to run with it anyway. What this does is bring a lot of charm and character to the film, and you end up really liking the guy and cheering him on.

The soundtrack to this movie – from composer John Morgan – is quite good, from the opening theme to the catchy incidental music featured throughout the film. I have watched bigger – and supposedly better – productions whose musical scores were nowhere near as memorable as this effort.

The special effects were decent in places, especially the modelling of the hellish caves and wooden bridges and platforms within the underground labyrinth. However, the stop-start animation that brought the main demon to life was a bit ‘how ya going’, as we say in Australia. Perhaps ‘questionable’ might be a more widely-recognised term, but you can appreciate what the film-makers were trying to do.

As far as action goes, ‘Empire of the Dark’ delivers the goods. There is an endless supply of hooded evil disciples trying to kill our hero, who fights them all off with either a gun or a sword, while less-than-gracefully executing moves that are awkward and sluggish yet somehow appear on screen as poetry in slow-motion. It’s comedy through and through, and Steve Barkett is right on point here; really hamming things up and breaking the fourth wall on at least one occasion.

‘Empire of the Dark’ has a 4.8 rating out of 10 at IMDB, and I think this is just about right. This is not a great movie, especially with the poor acting and ridiculous plot, but nor is it a complete dud. This film is watchable and quite entertaining, and as mentioned earlier it has a certain charm – or affability – that gets it across the line.

It’s a solid 3 out of 5 from me. Yes, it’s a ‘bad’ movie but it’s one you can laugh along with. I also think it’s a shame we didn’t see Steve Barkett in more mainstream movies over the years.

There was an episode of ‘So Bad It’s Good’ on YouTube a few years back, where they reviewed this movie and seemingly enjoyed it as well. It’s worth watching, so I’ve added the link below.

But if you are feeling a little more adventurous, the entire film is also available on YouTube. I’m not sure if the link will work due to age restrictions, but it is provided below – courtesy of Jacohsc Films YouTube Channel.

Screenshots courtesy of the Nautilus Film Company.